COVID-19 pandemic It affected every industry, but the film industry was particularly hard hit. When there is an airborne disease ravaging and ending people’s lives, the public doesn’t quite scramble to voluntarily sit in a room shared with strangers. Movies have been delayed, canceled, or sent to broadcast.
Now in 2022, there’s a huge push to return to theaters, even though Covid hasn’t been eradicated yet. Whereas before theatrical films were pushed to streaming, we now see streaming films being shot in theatres. A good example of this glass onionthe Netflix follow-up to Rian Johnson’s Take out the knives. But how does the shockingly modern hacker deal with the pandemic — and how might it be best dealt with?
The question of how to deal with the epidemic on screen was answered first by television. Medical series such as The good doctor And the New Amsterdam She quickly incorporated PPE and isolation into her serial drama. Other programs, such as HBO gossip girloptimistically referred to the epidemic in the past tense, although it was by no means over. Succession, one of the more present and topical dramas in the production, she chose to ignore it entirely – but it makes sense. Wealthy people, like the Ruizs, could afford the regulations.
Movies have only taken a slower approach due to their slower production schedule, but when we got our first glimpses of how the pandemic was affecting the silver screen, there were three obvious ways. glass onionSomehow, it brings all three of them together. But do you do it successfully? Before we examine that, let’s break down the three methods.
The first instinct, when faced with a world-altering pathogen, is to extrapolate to the worst-case scenario. There’s a reason for the 2011 movie Contagion It started heading to Netflix in March 2020, and why it was the first of these “pandemic movies” tinged with a touch of disaster. 2020 movie The Tweep Try to form a Romeo and JulietAn inspired romance about a motorcycle courier and a girl in custody. has evolved? The world they live in has been devastated by the “Covid-23” pandemic, which has plunged the country into military rule.
In the early days of the pandemic, there was enough hope that the dystopian look almost indistinguishable from a zombie movie wasn’t in poor taste. It was just a creative take on what people thought would be a strange moment in history.
Pandemic as satire
Once it became clear that the “alternative history” approach would not be as alternative as people had hoped, the next approach was satire right away. Sitcoms would lead to “epidemic episodes” via Zoom, and topical media adopted an “OK, we might laugh” attitude in the face of economic turmoil and the loss of thousands of lives.
However, the squib never really made it to the big screen. Judd Apatow bubblewhich was meant to poke fun at the elongated development of Jurassic World Dominion And he somehow came out before him, is an unfortunate example of that. In a world where countless Americans have lost their jobs due to the pandemic, a movie about how wealthy movie stars have been affected by the pandemic wasn’t exactly the catharsis Netflix viewers wanted.
The epidemic as a place
As the world found a temporary—yet still irreparably changed—sense of normalcy, the movies were allowed to return to “normal” as well. However, for those looking for that extra element of realism, a story set in a world affected by the pandemic, rather than one centered around the pandemic, is suddenly possible.
movies like From, an action movie that used the pandemic to raise the stakes on the protagonist’s agoraphobia, used the hallmarks of the pandemic to telegraph exactly when it was happening, much like movies that once used archaic technology or old fashion. It’s a harsh reminder of the era, but an effective one.
something for everyone
Rian Johnson glass onion It blends these three elements together. The dystopia he depicts is not a zombie apocalypse, but a world run by the wealthy. Every character in Outlaw, every suspect, is in a place where the pandemic affects their lives and puts them where they need to be impacted: Birdie Jay (Kate Hudson) hosts superspreader events, Claire DiBella (Kathryn Hahn) has to campaign for Senate via Zoom, etc. . Everything hinges on their public image in a world that revolves around power.
The sarcasm is evident from the start, particularly in the scene in which each member of the group has a mysterious substance sprayed down their throats that apparently means they are immune to infection. brings to mind Succession Inference: the rich are exempt from covid, though they are human too. glass onion He also uses these items as a way to mark them in their place in time. Ten years from now, when someone watches this movie, it will be clear when it happens not only because of the ongoing discussions about cancel culture and Twitch, but also because of how the characters interact with a world in which a pandemic strikes.
glass onion It combines all three elements of pandemic storytelling, but it’s not really about the pandemic. It’s firmly planted at the right time, but that may be its biggest drawback. A movie set in 2020 but released in 2022 has the nostalgia factor, but not really the perspective time that brings world-changing moments like a pandemic. It’s unclear how this movie will play out years from now, but with the very specific pandemic era storyline it offers, it’s possible that glass onion You will age like an onion left in the sun.
glass onion Streaming now on Netflix.
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